Shawn Craver is an Appalachian ballad singer, fiddler, and songwriter whose work sits at the intersection of storytelling, literature, and contemporary culture...
Craver grew up in Central Appalachia hearing songs, stories, and lore from family and friends—including sitting at the knee of a great-grandfather born in the 1890s. Music was woven into the life of the mountain communities where he was raised, and he began performing as a teenager, playing one of his first gigs in Morgantown, West Virginia, in the 1980s.
In the years that followed, Craver traveled widely, carrying a guitar from Appalachia through the American West and following wherever music led. In San Francisco, he shared shows at the Owl and Monkey Coffee House with Jeff Pehrson, later of Furthur. In South Dakota, he played guitar in fiddler and cultural promoter Bill Peterson's Scandinavian band and opened for a young Chris Thile at the Sioux River Folk Festival. A summer spent in Branson, Missouri, attending Merle Haggard performances helped shape his eclectic performance style. In Minnesota, he once "worked security" for fingerstyle guitarist Leo Kottke to get into a show.
Traveling gave Craver a new perspective on the music he had grown up with. In California, he discovered musical traditions familiar to him were new to many musicians he encountered. In Minnesota, he met old-time musician Dick Kimmel, who had lived and played in Morgantown years before—the same city Craver had played one of his first gigs as a teenager. The two clicked and Shawn spent a year with Kimmel's band playing on Kimmel's "Fishing Creek Blues" released by Roanoke, Virginia label Copper Creek Records in 2000.
Shawn's personal recordings emerged from the same spirit of happenstance that shape his musical life, captured by friends and fans in sessions, performances, and unlikely places. Though he has recorded in studios, Craver favors moments when the imperfections of a recording preserve something a polished production can lose. Shawn's collection of songs entitled "Over the Blue Ridge" was recorded live in a friends basement and released in 2000 with acclaim from Bluegrass Unlimited magazine. Shawn's "When The Sun Shines" was named one of the "Best Local/Regional" recordings by Wichita Public Radio KMUW in 2017. It was recorded live at a friend's insistence in an old Victorian that housed the Peace and Social Justice Center where Shawn roomed at the time. His 2018 release, "Fiddle and Song" was recorded live in an industrial flat in downtown Wichita with one microphone. Some of those tracks ended up on a soundtrack for the Indy film 'Tanasi' directed by Fairbanks Alaska Shakespeare Theatre executive director Emily Yates.
This adventurism eventually led Shawn into the academic world, where he found the old ballad texts he loved were appreciated not only as songs, but as literature. Studying creative writing with Paris Review Poetry Prize recipient Bryan Dietrich deepened his attention to language, narrative, and the literary power of traditional ballads, while also expanding his own musical vision. He earned a degree, becoming one of the first in his family to do so. His poems have appeared in diverse literary journals including And/Both, Coelacanth, and America's Best Emerging Poets.
For decades, Craver has performed his music for audiences across the country. His arrangements bring folk narratives into conversation with ideas beyond the folk tradition. He has shared festival stages with Altan, Bonnie Rideout, Dervish, Chris Thile, Tim O'Brien, and The Nashville Bluegrass Band, and the North Texas Irish Festival with international traditional-music acts including Altan and Dervish. He has also appeared alongside New York Times bestselling author Maria Dahvana Headley.
Craver's work continues to move between music and literature. He is currently developing a book of poetry inspired by the Appalachian counties where he grew up, Tucker County, West Virginia, and Garrett County, Maryland.
Whether performing a centuries-old ballad, an Appalachian fiddle tune, or his own work, Craver's music is filled with the humor, wit, and curiosity of a modern bard.
